Intersectional Audiard: Masculinity and Race in Dheepan and The Sisters Brothers
This article follows the lead of Richard Dyer and Devon Carbado in naming whiteness as a racial identity and uses intersectional analysis to explore Jacques Audiard’s depiction of race and gender in Dheepan and The Sisters Brothers. Both movies depart from the gender norms of earlier Audiard films b...
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| Format: | Artigo |
| Sprache: | Inglês |
| Veröffentlicht: |
Association française des enseignants et chercheurs en cinéma et audiovisuel
2022
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| Online-Zugang: | https://doi.org/10.4000/map.5937 https://hdl.handle.net/20.500.13089/i3p7 https://journals.openedition.org/map/5937 |
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