“aaaaaaaaaaaaaaaaaaaaaaaaaambition makes you look [pretty] ugly”: Mass consumption and computer-generated art in Radiohead’s OK Computer
OK Computer triggers a major shift in Radiohead’s career. It questions the conditions of its making by subverting representative frames. It uses paradox in order to assimilate the mass-consumption and technological progress it both abhors and embodies. In an urban landscape of sedated “consumer-robo...
保存先:
| 第一著者: | |
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| フォーマット: | Artigo |
| 言語: | Inglês |
| 出版事項: |
Presses universitaires de Rennes
2019
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| 主題: | |
| オンライン･アクセス: | https://doi.org/10.4000/lisa.10715 https://hdl.handle.net/20.500.13089/i1f9 https://journals.openedition.org/lisa/10715 |
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