The Secret Life of Secret Agents: Alan Bennett and John Schlesinger’s An Englishman Abroad (1983) and A Question of Attribution (1991)
Although biopics are still widely held in critical disdain, a number of new stimulating perspectives on the genre have recently emerged. One original approach consists in tackling the biopic as a form of adaptation and an example of intermedial rewriting, thus enabling to overreach the traditional f...
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| Formato: | Artigo |
| Idioma: | Inglês |
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Presses universitaires de Rennes
2016
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| Acceso en liña: | https://doi.org/10.4000/lisa.9005 https://hdl.handle.net/20.500.13089/i1e9 https://journals.openedition.org/lisa/9005 |
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