L’Opéra-Comique, 1945-1970 : de nouveaux opéras et leurs livrets ou de l’audace exogène

Between 1945 and 1970, the beacon of opera in France, the Paris Opera House, a.k.a. Palais Garnier, had become a bastion of musical conservatism. Meanwhile, the Opéra-Comique, the “other” Paris opera house, a.k.a. Salle Favart, devoted to the production of those lyrical works of so-called “lighter f...

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Autor principal:	Langlois, Frank
Formato:	Artigo
Idioma:	Francês
Publicado em:	Presses universitaires de Rennes 2014
Assuntos:	opera tonality atonality Libretto Salle Favart Paris Opera Palais Garnier livret atonalité Opéra de Paris Théâtre National de l’Opéra de Paris tonal post-sériel opéra comique
Acesso em linha:	https://doi.org/10.4000/lisa.6586 https://hdl.handle.net/20.500.13089/i1bo https://journals.openedition.org/lisa/6586
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