Censorship, Control and Resistance in Eugene O’Neill’s “black plays” The Emperor Jones and All God’s Chillun Got Wings

The 1920s were a period of control, restriction and censorship on the American stage. From its creation in 1922 to its dismantling in 1927, the Play Jury was in charge of theater regulation in the United States, at a time when segregation was still enforced on the stage. White actors with their face...

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Autor principal:	Le Bastard, Gwenola
Formato:	Artigo
Idioma:	Inglês
Publicado em:	Presses universitaires de Rennes 2013
Assuntos:	modernisme communauté O’Neill Eugene censure institutionnelle censure textuelle négritude représentation-réception transgression modernism representation community institutional censorship textual censorship blackness reception
Acesso em linha:	https://doi.org/10.4000/lisa.5519 https://hdl.handle.net/20.500.13089/i19x https://journals.openedition.org/lisa/5519
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