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From Parody to Rewriting: Margaret Mitchell’s GoneWith the Wind (1936) vs Alice Randall’s The Wind Done Gone (2001)

When after many difficulties, Alice Randall published The Wind Done Gone, the question of the very nature of the novel came to the foreground, from a constitutional as well as a literary standpoint: was it a parodic re-writing of Margaret Mitchell’s Gone With the Wind, and as such protected by the F...

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Detalhes bibliográficos
Autor principal: Roblin, Isabelle
Formato: Artigo
Idioma:Francês
Publicado em: Presses universitaires de Rennes 2004
Acesso em linha:https://doi.org/10.4000/lisa.2911
https://hdl.handle.net/20.500.13089/i15l
https://journals.openedition.org/lisa/2911
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