Bringing Gregory Bateson’s Sepik collections into the Digital Age. Progress and reflections

This chapter reviews the work of the 1984-1995 Bateson documentation project in three stages. First an introduction with an overview of the context and outcomes. Secondly a more detailed presentation of some of the Cambridge Sepik collections under three headings: masquerade, faces and face-painting...

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Hlavní autor:	Lovelace, Antonia
Médium:	Artigo
Jazyk:	Inglês
Vydáno:	Société des océanistes 2018
Témata:	art Gregory Bateson collections Sepik de Cambridge documentation peintures faciales Cambridge Sepik collection face-painting
On-line přístup:	https://doi.org/10.4000/jso.8526 https://hdl.handle.net/20.500.13089/haai https://journals.openedition.org/jso/8526
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