Queer and Asian: Redefining Chinese American Masculinity in The Wedding Banquet (Ang Lee, 1993) and Red Doors (Georgia Lee, 2006)

Throughout the nineteenth and twentieth centuries, Chinese American men were subjected to different forms of discrimination and exclusion. The Chinese community was construed as a bachelor community, on the outskirts of the U.S. nation-state, and its men were symbolically emasculated. Consequently,...

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Autor principal:	Ledru, Juliette
Format:	Artigo
Idioma:	Inglês
Publicat:	Pléiade 2019
Matèries:	masculinité cinéma représentations stéréotypes queer Sino-Américains masculinity cinema representations stereotypes Chinese Americans
Accés en línia:	https://doi.org/10.4000/itineraires.7067 https://hdl.handle.net/20.500.13089/h71z https://journals.openedition.org/itineraires/7067
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