“San Francisco on a thousand plates”: New perspectives on photo-historical research around 1900 through the lens of the California Camera Club
With a focus on the dispersed corpus of an American photographic society – the California Camera Club – this article proposes new methods to examine photographic objects produced around 1900. In a period commonly defined by Pictorialism and the New York Photo-Secession, the works of San Franciscan p...
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| 第一著者: | |
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| フォーマット: | Artigo |
| 言語: | Inglês |
| 出版事項: |
Université Bourgogne Europe
2019
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| 主題: | |
| オンライン・アクセス: | https://doi.org/10.4000/interfaces.644 https://hdl.handle.net/20.500.13089/h4h0 https://journals.openedition.org/interfaces/644 |
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