Synesthesia in Percy Bysshe Shelley’s ekphrasis: from audible paintings to tangible ideas
IntroductionSynesthesia in Percy Bysshe Shelley’s poetry has already been studied by Glenn O’Malley in his Shelley and Synesthesia (1964) and mentioned by critics like Richard Fogle, but usually without any reference to the poet’s prose and more particularly his ekphrases of paintings. The transaest...
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| Format: | Artigo |
| Sprache: | Inglês |
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Université Bourgogne Europe
2015
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| Online-Zugang: | https://doi.org/10.4000/interfaces.239 https://hdl.handle.net/20.500.13089/h4fs https://journals.openedition.org/interfaces/239 |
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