The Fugitive Gazes Back: The Photographic Performance Work of Frederick Douglass and Sojourner Truth
Invisibilization has been theorized as a mode of disempowerment, yet for African Americans who have been hypervisualized it can become a locus of social or visual power. This article examines photographic portraits of Frederick Douglass and Sojourner Truth to show how they perform versions of their...
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| 第一著者: | |
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| フォーマット: | Artigo |
| 言語: | Inglês |
| 出版事項: |
Center for Research on the English-Speaking World (CREW)
2020
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| 主題: | |
| オンライン･アクセス: | https://doi.org/10.4000/inmedia.2463 https://hdl.handle.net/20.500.13089/h17c https://journals.openedition.org/inmedia/2463 |
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