Self-portrait as Epistemic Disobedience: Zanele Muholi’s Somnyama Ngonyama
This article looks at South African photographer and visual activist Zanele Muholi’s ongoing project Somnyama Ngonyama and argues that it continues Muholi’s lifework of decolonizing the canon of representations of Black bodies, especially Black female bodies. In this series of self-portraits, Muholi...
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Center for Research on the English-Speaking World (CREW)
2020
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| Acesso em linha: | https://doi.org/10.4000/inmedia.2409 https://hdl.handle.net/20.500.13089/h17a https://journals.openedition.org/inmedia/2409 |
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