Gazing at “Fetishes” 2.0: Using the Spectacle Concept to Understand Consumer Cultures in the Age of Digital Capitalism
This paper argues that Debord’s La Société du Spectacle was a syncretism of contemporary US criticism of the consumer society and the power of the image and of the Marxist tradition. First it elucidates the notion of commodity fetishism for Marx and Debord’s détournement of it. It then establishes t...
Na minha lista:
| Autor principal: | |
|---|---|
| Formato: | Artigo |
| Publicado em: |
Center for Research on the English-Speaking World (CREW)
2019
|
| Assuntos: | |
| Acesso em linha: | https://doi.org/10.4000/inmedia.1902 https://hdl.handle.net/20.500.13089/h16x https://journals.openedition.org/inmedia/1902 |
| Tags: |
Sem tags, seja o primeiro a adicionar uma tag!
|