Listening with the body and an analogue sensibility: the Villa Arson’s “sound art” school in the digital age
In recent years, the re-emergence of interest in Lars Fredrikson, a pioneer in experimental sound practices, has raised a number of issues related to the question of sound in art and the pedagogy of listening in schools. Carrying out a plastic and bodily conception of listening, the teaching of Lars...
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| Format: | Artigo |
| Sprache: | Inglês |
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Presses universitaires de Vincennes
2019
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| Online-Zugang: | https://doi.org/10.4000/hybrid.553 https://hdl.handle.net/20.500.13089/guev https://journals.openedition.org/hybrid/553 |
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