Grégory Chatonsky: the art of an archaeofiction without history?
In the wake of postmodernist experiments, Chatonsky questions both focalization and narrativity: he aims at elaborating a form of fiction without narration, that is to say without any diegesis or narrative instance, for it is anonymous, machinic and collective: “It is as if a fiction, a machine here...
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| Natura: | Artigo |
| Lingua: | Inglês |
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Presses universitaires de Vincennes
2018
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| Accesso online: | https://doi.org/10.4000/hybrid.460 https://hdl.handle.net/20.500.13089/guef https://journals.openedition.org/hybrid/460 |
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