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Fooling the eye: trompe l’oeil porcelain in High Qing China

Porcelain imitation of other materials, or so-called ‘trompe l'oeil’ porcelain, popular from the late Yongzheng to the Qianlong period, has been regarded as an aesthetic representative of Chinese emperors as well as an iconography of court power. Several studies have been conducted to understand the...

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Detalhes bibliográficos
Autor principal: Chen, Chih-en
Formato: Artigo
Idioma:Inglês
Publicado em: UMR 5136 – FRAMESPA 2019
Assuntos:
Acesso em linha:https://doi.org/10.4000/framespa.6246
https://hdl.handle.net/20.500.13089/gds3
https://journals.openedition.org/framespa/6246
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