Double Crossing Boundaries: Could Alice in Wonderland’s Red Queen Be Fictitious Within Fiction?
The title of this essay might just as well have been “Hybridity strikes back,” as, to some extent, it is the result of my persistent questioning of filmic performance. Indeed, today, Computer-Generated Imagery (CGI), among other techniques, is deconstructing the concepts of the real and the imaginar...
保存先:
| 第一著者: | |
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| フォーマット: | Artigo |
| 言語: | Inglês |
| 出版事項: |
SERCIA (Société d’études et de recherches sur le cinéma anglophone)
2022
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| 主題: | |
| オンライン･アクセス: | https://doi.org/10.4000/filmj.327 https://hdl.handle.net/20.500.13089/gb77 https://journals.openedition.org/filmj/327 |
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