From Making of to “Generic Oddity”: The Case of Lost in La Mancha (Keith Fulton and Louis Pepe, 2002)
“It’s a sad, sad world” (51:41): this off-camera comment fits to a nicety the “case” of Fulton and Pepe’s Lost in La Mancha, but only ironically so. Their film is – or was supposed to be – a documentary (what we now call a making of) shot about and around Terry Gilliam’s long-expected adaptation of...
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
SERCIA (Société d’études et de recherches sur le cinéma anglophone)
2022
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| Acesso em linha: | https://doi.org/10.4000/filmj.323 https://hdl.handle.net/20.500.13089/gb75 https://journals.openedition.org/filmj/323 |
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