“Putting the Show Over”: Fade-In Prologues as Border Crossing in the Reception Space of 1920s American Film Exhibition
Keaton’s Projectionist over the BorderThis article will focus on a peculiar practice of US film theatrical exhibition, particularly active in the years 1919–1926, the so-called “fade-in prologue.” It will argue that such theatrical presentations of films, aiming to seamlessly, but theatrically, guid...
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
SERCIA (Société d’études et de recherches sur le cinéma anglophone)
2022
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| Acesso em linha: | https://doi.org/10.4000/filmj.315 https://hdl.handle.net/20.500.13089/gb71 https://journals.openedition.org/filmj/315 |
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