Objects or Subjects? Pictoriality and Domesticity in Tess of the d’Urbervilles
In his entry for 1 July 1892, Hardy notes: “The art of observation […] consists in this: the seeing of great things in little things, the whole in the part – even the infinitesimal part.” His novel Tess of the d’Urbervilles stages the heroine’s struggle to comply with the Victorian ideal of feminine...
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| Format: | Artigo |
| Sprache: | Inglês |
| Veröffentlicht: |
Association française sur les études sur Thomas Hardy
2019
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| Online-Zugang: | https://doi.org/10.4000/fathom.1485 https://hdl.handle.net/20.500.13089/gaji https://journals.openedition.org/fathom/1485 |
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