The Sound of Silence in Tess of the d’Urbervilles and Far from the Madding Crowd
The article aims at showing how, in Hardy’s fiction, all sound aspires to the condition of silence. For example in Tess of the d’Urbervilles, sounds are very often conveyed as visual impressions, and Tess’s voice is hardly every heard – her voice seems choked, throttled, “stuck in her throat”. The a...
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| Format: | Artigo |
| Langue: | Inglês |
| Publié: |
Association française sur les études sur Thomas Hardy
2013
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| Accès en ligne: | https://doi.org/10.4000/fathom.385 https://hdl.handle.net/20.500.13089/gahm https://journals.openedition.org/fathom/385 |
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