Robert Taft in Beaumont Newhall’s Shadow
This paper examines the historical coincidence, conceptual difference, and generative dialogue linking the two accounts of photography's first century, created simultaneously by the American historians Beaumont Newhall and Robert Taft. Whereas Newhall's catalogue to the 1937 MoMA exhibition and subs...
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| Autor principal: | |
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| Format: | Artigo |
| Idioma: | Inglês |
| Publicat: |
Société française de photographie
2012
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| Accés en línia: | https://hdl.handle.net/20.500.13089/g71k https://journals.openedition.org/etudesphotographiques/3481 |
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