History in the Making
In her essay ‘Good Fences Make Good Neighbors,’ Sally Stein frames American photomontage between the wars as a marginal and tentative practice, offset by a small number of books from the early 1930s. Stein cites Simon and Schuster’s 1935 publication Eyes on the World as one such anomaly. However, cl...
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| Natura: | Artigo |
| Lingua: | Inglês |
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Société française de photographie
2011
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| Accesso online: | https://hdl.handle.net/20.500.13089/g71b https://journals.openedition.org/etudesphotographiques/3470 |
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