‘Le Flou of the Painter Cannot Be le Flou of the Photographer’
While le flou (a term whose contemporary meaning is ‘blurriness’ or ‘soft focus’) is generally associated with photography today, it began as a highly specialized term in the criticism of painting. In the mid-nineteenth century, when photography first became a subject of artistic discussion, le flou...
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| Hovedforfatter: | |
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| Andre forfattere: | |
| Format: | Artigo |
| Sprog: | Inglês |
| Udgivet: |
Société française de photographie
2010
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| Online adgang: | https://hdl.handle.net/20.500.13089/g70x https://journals.openedition.org/etudesphotographiques/3450 |
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