Where Straus Meets Enactivism. Reflections on an Enactive Theory of Music Perception

In this paper, I will try to integrate Joel Krueger’s enactive theory of music perception with some of Erwin Straus’ reflections on different forms of experiencing spatiality and movement. Krueger (2009, 2011b) maintains that music perception is a form of active perception, in which our body and our...

ver descrição completa

Detalhes bibliográficos

Autor principal:	Forlè, Francesca
Formato:	Artigo
Idioma:	Inglês
Publicado em:	Rosenberg & Sellier 2017
Assuntos:	enactive music perception expressive movement goal-directed movement acoustic space percezione musicale enattivo movimento espressivo movimento diretto a uno scopo spazio acustico
Acesso em linha:	https://doi.org/10.4000/estetica.3154 https://hdl.handle.net/20.500.13089/fyot https://journals.openedition.org/estetica/3154
Tags:	Adicionar Tag Sem tags, seja o primeiro a adicionar uma tag!