Mimmo Paladino. Teatro del pensiero, teatro dell’oggetto
In this paper I consider the relationship between concept— assuming that it’s embedded in artwork — and visual representation. To this end, I first examine some of Paladino’s artworks considering them as: very classical, expressivist, postmodernist and anti-conceptualist. Finally, I assume the exhib...
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| Format: | Artigo |
| Sprog: | Italiano |
| Udgivet: |
Rosenberg & Sellier
2014
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| Online adgang: | https://doi.org/10.4000/estetica.2338 https://hdl.handle.net/20.500.13089/fync https://journals.openedition.org/estetica/2338 |
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