The Colors and the Spinozist Bodies of Michelangelo Antonioni’s L’avventura
In this paper I shall profile some of the major contours of the philosophically and cinematically revolutionary qualities of one of Michelangelo Antonioni’s (1912-present) finest films, L’avventura (The Adventure or The Fling 1959), particularly in regard to the colors of the negative, which is to s...
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| Formato: | Artigo |
| Lenguaje: | Inglês |
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Laboratoire d’Études et de Recherche sur le Monde Anglophone
2005
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| Acceso en línea: | https://doi.org/10.4000/erea.620 https://hdl.handle.net/20.500.13089/fupc https://journals.openedition.org/erea/620 |
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