Shakespeare’s Secular Theatre: A Provocative Defence of the Actor and Spectator
Compared to Ben Jonson, Shakespeare seems far more discreet, or even removed from the controversy about the theatre. But appearances can be deceiving: although less visible and more oblique, his responses to the attacks against the stage are nonetheless present in his plays. Against the enemies of t...
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Association Études Épistémè
2018
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| Acesso em linha: | https://doi.org/10.4000/episteme.1977 https://hdl.handle.net/20.500.13089/fsxt https://journals.openedition.org/episteme/1977 |
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