The Queer Voices of Xavier Dolan’s Mommy
This article examines the vocal materialities of Xavier Dolan’s film Mommy (2014). It focuses on the film’s swearing, competing diegetic voices, disruptive soundtrack, as well as its scenes of lip synch, play-back, and karaoke, in order to convey queer vocal identifications. The article’s interdisci...
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| Format: | Artigo |
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European Association for American Studies
2017
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| Online adgang: | https://doi.org/10.4000/ejas.11755 https://hdl.handle.net/20.500.13089/fmk4 https://journals.openedition.org/ejas/11755 |
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