Too Far Gone: The Psychological Games of Cormac McCarthy’s All the Pretty Horses
This article uses Jacques Lacan’s reading of the Freudian fort-dagame to analyze that most American of cultural constructs, the cowboy, at the time of that figure’s fading from the American landscape: the immediate postwar years. With John Grady Cole, the protagonist of All the Pretty Horses (1992)...
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| Format: | Artigo |
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European Association for American Studies
2016
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| Accés en línia: | https://doi.org/10.4000/ejas.11630 https://hdl.handle.net/20.500.13089/fmj4 https://journals.openedition.org/ejas/11630 |
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