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Interior Monologue as Social Critique in James Kelman’s How Late It Was, How Late (1994)

James Kelman’s use of interior monologue, in his novel How Late It Was, How Late, portrays a consciousness enacting Althusser’s modern state paradox: a contradiction within the subject between the ideology of free subjectivity and the reality of subjection. Protagonist Sammy Samuel displays this con...

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Bibliografische Detailangaben
1. Verfasser: Travis, Anna
Format: Artigo
Sprache:Inglês
Veröffentlicht: Presses universitaires de la Méditerranée 2019
Schlagworte:
Online-Zugang:https://doi.org/10.4000/ebc.6857
https://hdl.handle.net/20.500.13089/fe92
https://journals.openedition.org/ebc/6857
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