Samuel Beckett’s Theatre: from “things” to “The Thing”
When one thinks of the stage in Beckett’s plays, one tends to see it as empty or in the process of becoming so. Indeed, the things, that is, to start with, the objects which are set up onstage and keep the characters busy, appear as remains, traces of what they could or might have been. They are the...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Artigo |
| Reo: | Inglês |
| I whakaputaina: |
Presses universitaires de la Méditerranée
2008
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| Urunga tuihono: | https://doi.org/10.4000/ebc.5962 https://hdl.handle.net/20.500.13089/fe8i https://journals.openedition.org/ebc/5962 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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