Taking One’s Bow: Performing Things in Seamus Heaney’s The Cure at Troy
A version of Sophocles’ Philoctetes, Seamus Heaney’s A Cure at Troy explores the ways in which a bow, a mere thing, introduces and allows tragedy. From rag-and-bone man, Philoctetes thus becomes the main protagonist of a play that will guarantee a return to order. Meanwhile, the thing proliferates t...
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| 第一著者: | |
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| フォーマット: | Artigo |
| 言語: | Inglês |
| 出版事項: |
Presses universitaires de la Méditerranée
2008
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| オンライン･アクセス: | https://doi.org/10.4000/ebc.5921 https://hdl.handle.net/20.500.13089/fe8e https://journals.openedition.org/ebc/5921 |
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