A plein volume : Basquiat et la musique (Montréal) ; Basquiat Soundtracks (Paris) + Basquiat x Warhol : à quatre mains
Two landmark Jean-Michel Basquiat exhibitions in Paris made visible and legible an essential facet of his work that has remained largely hidden: his obsessive and astounding investigations into intellectual property (IP) law, especially its overlaps with cultural appropriation. The most basic proof...
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| Formato: | Artigo |
| Idioma: | Inglês |
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Groupement d'intérêt scientifique (GIS) Archives de la critique d’art
2024
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| Acesso em linha: | https://doi.org/10.4000/critiquedart.109119 https://hdl.handle.net/20.500.13089/epse https://journals.openedition.org/critiquedart/109119 |
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