Sammy Baloji
Sammy Baloji © Sophie Nuytten, 2018“When I started to work on images, I was struck by the erasure of history. […] My work, it just so happens, consists in borrowing the process of erasure and re-establishing undone connections. It is situated as much in the dissection of the layers of oblivion and i...
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| Formato: | Artigo |
| Idioma: | Inglês |
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Groupement d'intérêt scientifique (GIS) Archives de la critique d’art
2020
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| Acesso em linha: | https://doi.org/10.4000/critiquedart.62102 https://hdl.handle.net/20.500.13089/em1v https://journals.openedition.org/critiquedart/62102 |
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