From Marvels to Curiosity
At the 42nd Venice Biennale (1986), Adalgisa Lugli organized a contemporary art exhibition titled Wunderkammer. Jean-Hubert Martin, for his part, chose the title Curios and Mirabilia for the first presentation of the Château d’Oiron commissions programme. French normally uses the term cabinet de cur...
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| Formato: | Artigo |
| Idioma: | Inglês |
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Groupement d'intérêt scientifique (GIS) Archives de la critique d’art
2003
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| Acesso em linha: | https://doi.org/10.4000/critiquedart.1799 https://hdl.handle.net/20.500.13089/elno https://journals.openedition.org/critiquedart/1799 |
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