On the Trail of Lygia Clark
The black box, with its slightly enigmatic title, seems to put the object governing its existence at a remove–the oeuvre of the Brazilian artist Lygia Clark (1920-1988). But there is less editorial awkwardness here than signs of a conception of the archive championed by the author: the remove of the...
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| Formato: | Artigo |
| Idioma: | Inglês |
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Groupement d'intérêt scientifique (GIS) Archives de la critique d’art
2011
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| Acceso en liña: | https://doi.org/10.4000/critiquedart.1454 https://hdl.handle.net/20.500.13089/elm9 https://journals.openedition.org/critiquedart/1454 |
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