Exhibition Cuttings
Exhibitions are accompanied by an ensemble that presents them, represents them, and thus makes them present. This set made up of connected forms, paratexts—to borrow Gérard Genette’s term—and “exhibition prosthetics”, in Joseph Grigely’s provocative turn of phrase, associates the names of the artist...
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| Formato: | Artigo |
| Lenguaje: | Inglês |
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Groupement d'intérêt scientifique (GIS) Archives de la critique d’art
2019
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| Acceso en línea: | https://doi.org/10.4000/critiquedart.53702 https://hdl.handle.net/20.500.13089/elgf https://journals.openedition.org/critiquedart/53702 |
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