Invoking the supernatural and the supranational: Tappu, trance and Tamil recordings in Indo-Guyanese ’Madras Religion’ and the politics of sonic presence
The sonic dimensions of Indo-Guyanese Madrasi music – both acoustic “live” performances at temples and the consumption and playback of recordings – mediate forms of power, authority, and verity on the basis of cultural ideals and historically contingent modes of listening. One’s ability to access kn...
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| Autor principal: | |
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Institut de sociologie de l'Université Libre de Bruxelles
2018
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| Assuntos: | |
| Acesso em linha: | https://doi.org/10.4000/civilisations.4822 https://hdl.handle.net/20.500.13089/e174 https://journals.openedition.org/civilisations/4822 |
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