Ian Aitken and Michael Ingham, Hong Kong Documentary Film,
Until recently, even the best informed cinephiles and scholars would have been hard pressed to name any Hong Kong documentaries or academic work on the subject. The colonial nature of public audio-visual institutions before the handover in 1997 and Hong Kong cinema’s commercial orientation certainly...
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| Format: | Artigo |
| Idioma: | Inglês |
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Centre d'étude français sur la Chine contemporaine
2015
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| Accés en línia: | https://doi.org/10.4000/chinaperspectives.6817 https://hdl.handle.net/20.500.13089/dvn2 https://journals.openedition.org/chinaperspectives/6817 |
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