Yugong Yishan: Myth, Utopia, and Community in Modern and Contemporary Chinese Art
This paper examines the way in which the fable The Foolish Old Man Who Removed the Mountains (Yugong yishan 愚公移山) has informed the creative output of a range of major Chinese artists (Xu Beihong, Zhang Lin, Zhang Huan, and He Yunchang) over a period spanning the 1940s to the present. Drawing on the...
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| Formato: | Artigo |
| Idioma: | Inglês |
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Centre d'étude français sur la Chine contemporaine
2021
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| Acceso en liña: | https://doi.org/10.4000/chinaperspectives.11398 https://hdl.handle.net/20.500.13089/dvaj https://journals.openedition.org/chinaperspectives/11398 |
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