From Documentary to Fiction and Back: Reality and Contingency in Wang Bing’s and Jia Zhangke’s films
The generation of “independent” Chinese directors has repeatedly crossed and displaced the borders between fiction and documentary film in their works. While originally linked to practical constraints, this trend has developed into a full-fledged aesthetic programme in the works of Wang Bing and Jia...
保存先:
| 第一著者: | |
|---|---|
| フォーマット: | Artigo |
| 言語: | Francês |
| 出版事項: |
Centre d'étude français sur la Chine contemporaine
2007
|
| オンライン･アクセス: | https://doi.org/10.4000/chinaperspectives.2223 https://hdl.handle.net/20.500.13089/duzz https://journals.openedition.org/chinaperspectives/2223 |
| タグ: |
タグなし, このレコードへの初めてのタグを付けませんか!
|