Niyi Osundare and the Marginalised Majority in Songs of the Season
This reads Osundare’s poems as exhibiting a striking unity of vision, giving expression to the poet’s identification with the marginalized, but also as proceeding from an indebtedness to a variety of traditions, the most important being Yoruba popular (performance) poetry.
保存先:
| 第一著者: | |
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| フォーマット: | Artigo |
| 言語: | Inglês |
| 出版事項: |
SEPC (Société d’études des pays du Commonwealth)
2007
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| オンライン･アクセス: | https://doi.org/10.4000/ces.9433 https://hdl.handle.net/20.500.13089/dt3a https://journals.openedition.org/ces/9433 |
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