‘Nothing is worse than what we can imagine’: Secrecy and Allegory in J.M. Coetzee’s Waiting for the Barbarians and Disgrace
Secrecy and the various rhetorical devices that this option entails are major narrative strategies in Coetzee’s fiction and several ramifications of these motifs are recurrently mobilised in many of his texts. Research in clinical psychopathology and psychoanalysis provides us with a framework for a...
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| Format: | Artigo |
| Language: | Inglês |
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SEPC (Société d’études des pays du Commonwealth)
2007
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| Online Access: | https://doi.org/10.4000/ces.9249 https://hdl.handle.net/20.500.13089/dt2v https://journals.openedition.org/ces/9249 |
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