Infinite Revolutions; or, Fred D’Aguiar’s Imaginative Response to Western Metaphysical Perceptions of Time
This article examines Fred D’Aguiar’s poems “The Trench Revisited” and “Vulture’s Theory of Perpetual Return” in light of their “revolutionary” reliance on Guyanese novelist Wilson Harris’ idea of “infinite rehearsal.” Harris’ theory of infinite rehearsal suggests a revisionary take on Nietzsche’s c...
Gardado en:
| Autor Principal: | |
|---|---|
| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado: |
SEPC (Société d’études des pays du Commonwealth)
2019
|
| Assuntos: | |
| Acceso en liña: | https://doi.org/10.4000/ces.824 https://hdl.handle.net/20.500.13089/dswg https://journals.openedition.org/ces/824 |
| Tags: |
Sen Etiquetas, Sexa o primeiro en etiquetar este rexistro!
|