Dance and Dissidence in Wole Soyinka’s Plays: From Status Quo to Revolution
In Wole Soyinka’s plays, dance reveals an open conception of African identity, namely a fluid, perpetually evolving one which leaves room for metamorphosis and change. As the symbol of transition, dance is often invested with revolutionary potential, pointing the way to a new dawn, out of an existen...
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Artigo |
| Giella: | Inglês |
| Almmustuhtton: |
SEPC (Société d’études des pays du Commonwealth)
2019
|
| Fáttát: | |
| Liŋkkat: | https://doi.org/10.4000/ces.609 https://hdl.handle.net/20.500.13089/dswb https://journals.openedition.org/ces/609 |
| Fáddágilkorat: |
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
