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Prologue : “In my end is my beginning”: time’s up for The Duchess of Malfi
When Paul Hammond discusses the function of “an Italy of the mind” in Shakespeare’s comedies, he defines it as a “space in which unusual happenings were possible” that is not “constrained by the kinds of plausibility demanded in London city comedy”. Similarly, John Webster’s The Duchess of Malfi tes...
Αποθηκεύτηκε σε:
| Κύριος συγγραφέας: | |
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| Μορφή: | Artigo |
| Γλώσσα: | Inglês |
| Έκδοση: |
IRCL (UMR 5186) CNRS/Université Paul-Valéry Montpellier 3
2018
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| Διαθέσιμο Online: | https://doi.org/10.4000/asf.3169 https://hdl.handle.net/20.500.13089/a4bt https://journals.openedition.org/asf/3169 |
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