Kodak’s Colorama and the Construction of the Gaze in Public Space

Between the 1950s and 1989, Kodak continuously occupied a surface of approximately one hundred square metres in New York’s Grand Central Station with a display of panoramic photographs that were changed regularly. These giant “Coloramas” presented photographed scenes that were taken specifically for...

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Podrobná bibliografie

Hlavní autor:	Philizot, Vivien
Médium:	Artigo
Vydáno:	UrbanHub 2019
Témata:	public space representation snapshot selfie ideology Kodak history of photography advertisement
On-line přístup:	https://doi.org/10.4000/articulo.3975 https://hdl.handle.net/20.500.13089/a3ws https://journals.openedition.org/articulo/3975
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