Adriana Varejão : Cutting through layers of Brazilian History

In the Entrance Figure series, one of the first major works of Brazilian contemporary artist Adriana Varejão, the female body is the canvas in which the artist challenges the historical and artistic canon. It is where the oscillation between the noble savage – in the form of the maternal and domesti...

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Bibliografiske detaljer

Hovedforfatter:	Heeren, Alice
Format:	Artigo
Sprog:	Inglês
Udgivet:	CRAL - Centre de recherche sur les arts et le langage 2013
Fag:	pintura Adriana Varejão antropofagia civilización y barbarie estudios brasileños apropiación brasilianidad (brasilidade) Brazilian studies painting appropriation Brazilianess (brasilidade) civilization and barbarism
Online adgang:	https://doi.org/10.4000/artelogie.5796 https://hdl.handle.net/20.500.13089/a3gw https://journals.openedition.org/artelogie/5796
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