Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial

The interview tackles the issue of the relations between art and technology, curation and creation in the digital age. Philippe Riss-Schmidt, the curator of the HyperPavilion presented in the 57th Venice Biennial in 2017, comments on the conception of the exhibition as an experimental immersive spac...

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Xehetasun bibliografikoak

Egile Nagusiak:	Riss-Schmidt, Philippe, Fortin-Tournès, Anne-Laure
Formatua:	Artigo
Hizkuntza:	Inglês
Argitaratua:	Société des Anglicistes de l'Enseignement Supérieur 2018
Gaiak:	expérimental art contemporain exposition numérique commissariat d’exposition art posthumain experimental contemporary art digital exhibition curation post-human art
Sarrera elektronikoa:	https://doi.org/10.4000/angles.1066 https://hdl.handle.net/20.500.13089/9n2u https://journals.openedition.org/angles/1066
Etiketak:	Etiketa erantsi Etiketarik gabe, Izan zaitez lehena erregistro honi etiketa jartzen!